Regnal the Caretaker. The Broadsword And The Beast. It’s too electronic and jerky and doesn’t fit the feel of the rest of the album. Opening over a background featuring the refreshing sound of a real piano played by Peter Vetesse, the song explodes into a Jethro Tull driver, full of those wonderful syncopations and bursts of Martin that knock you on your ass. Stormwatch is an easy 4 for me. Have I had a glass too much? Clasp 3. The fears and instincts that drove our ancestors still live within us today. Oh, Mr. President you’ve been put to the test. Just enjoying reading through your Tull reviews. Interesting take on Broadsword! If Ian Anderson didn’t want public attention, he could have pulled a Salinger and disappeared from view. Quick Links. So, you might be wondering by now: why the low rating to Broadsword if Planets for you is great and you say they are not quite different in how they sound?. This, along with Songs From The Wood, have always been my favorite Jethro Tull albums. All so predictable and we know it. Album Rating: 3.5Yes I guess we have to be patient with that one. The Broadsword And The Beast was the CD release that most direly needed a remaster—now it's done. Conway war zuvor Mitglied der Folk-Rock-Band Fotheringay und Schlagzeuger der Begleitband von Cat Stevens gewesen. She was as useless as tits on a hog. Come clean, for once, and hit us with the truth. Ratings . Where it differs is in the quality of the songs and the quality of the production. Auf dem in dieser Besetzung entstandenen Album "Broadsword And The Beast" versuchten die Tull, die akustischen und synthetischen Einflüsse der vorhergehenden Alben zu kombinieren. The different filters applied to his voice oscillate between a sense of closeness and a feeling of distance, and are very effective in reinforcing the theme of essential human loneliness. Please try again later. And I look great in leather. I was going to do the discography in chronological order, but I probably won't be able to get the band's debut until September, so I'm just reviewing the albums that I have now. Sadly, she has to go to work to receive the inevitable cold splash of reality (“Runs from the train, hears her typewriter humming, cutting dreams down to size again.”) Musically divided into slower tempo sections for her fantasies and accelerated tempos for the morning commute, “Pussy Willow” is a fascinating composition. It included the entire stage being decorated to look like a pirate ship, which Ian Anderson, as he said in the liner notes for the remastered CD, thought was "very silly". Report this review (#267159) | Posted by deathlifereborn | Saturday, February 20, 2010 | Review Permanlink. Album Rating: 4.0excellent return to form; the 20 anniversary box set had leftovers which were good enough to make this a double. “Beastie” deals with the fundamental fears that form the primary obstacle to our development as human beings. Board-Mitarbeiter. It’s never been my favorite, but I’ve always popped it in the “not bad” category. Reviews . Post was not sent - check your email addresses! This site uses Akismet to reduce spam. Enter your email address to follow this blog and receive notifications of new posts by email. "Pussy Willow" ist vielleicht am einfachsten gestrickt, geht aber ins Ohr und ist trotzdem für mich einer der stärksten Tracks. Descriptors fantasy, male vocals, epic, passionate, melodic. Für Vettese, der während der Aufnahmen zur Band kam, und Conway waren es die ersten Alben mit Jethro Tull. Edited quite a bit of stuff. This is also the period where we get Andersonian commentary on current events, most of which show how dated and upper-class he had become, especially in comparison to the contemporary working-class rage of The Sex Pistols and The Clash. The Broadsword and the Beast has a satisfying, holistic feel, a record that successfully links the medieval with the modern from both a musical and thematic perspective. While the tone of the album took the guise of Scandinavian or Celtic themes, this album was definitely a … I won’t remind you. Musically, Tull is on top of their game here. There’s nothing I can do for you, everywhere’s a danger zone. You paid the piper and called the tune CHR 1380; Vinyl LP). Klingt nach BARCLAY JAMES HARVEST zu ihren schlechteren Zeiten. Sponsored by . David Bowling May 13, 2010 1 Comment 148 Views. Even the final vignette "Cheerio" is lovely. Go right ahead and pull the rotten tooth. The Broadsword and the Beast comes to a fitting conclusion with the sentimental pub song, “Cheerio.” My only regret is that it doesn’t have more verses, because I think it would make a great replacement for the always tiresome “Auld Lang Syne” with the added bonus of not having to remember what the Scots title means when you’re three sheets to the wind. Originally from San Francisco, I am now a French/EU citizen living in Nice. Kudos for bringing attention to some of their more overlooked albums. Jogi`s Rockfabrik Registrierter Benutzer. According to the annotations on the Cup of Wonder site, Ian Anderson had this to say about “The Clasp”: Ironically the handshake, when it is offered, is very often a forced gesture, far removed from its origin which was a way of demonstrating that you had no weapon in your hand and that you were offering your open hand to someone in peace. I relate to “Beastie” in part because I have experienced my own beasts, and in part because Ian Anderson is 100% correct when he tells you what to do and what not to do when dealing with those nasty little suckers: If you wear a warmer sporran, you can keep the foe at bay. A was supposed to be an Ian Anderson solo effort but was Tull-i-cized by Chrysalis. My only complaint has to do with the phrasing. Still nicely covered though. Following that disaster, Tull went on a three-year hiatus due largely to Ian Anderson’s throat problems, and re-emerged in superb form with Crest of a Knave. Oh, and never mind the words: Like Aqualung, The Broadsword and the Beast is divided into two roughly thematic sides: “Beastie” and “Broadsword.” That organization is driven more by the lead songs than the actual content, but the “Beastie” side deals more with the darker aspects of human nature. Hi! AllMusic Review by Bruce Eder [+] The cover of this first actual Jethro Tull album since 1979's Stormwatch depicts Ian Anderson as an elf-warrior, with wings and a sword, and a ship with a stylized Norse dragon's head. Ian Anderson uses funereal imagery to mark the symbolic death of self-and-other; the experience is one of mourning for the relationship and for the now-separated individuals: Dream of me as the nights draw cold The human instinct to protect the family is prominent here, as is the human tendency to call on supernatural forces to pull our asses out of the fire (“Bring me my cross of gold as a talisman.”) The rhythm reflects the drums of primitives, and the overall production is supportive of the story line. The band would continue further down the road into synth-pop, but never would they do it again with this success. The remastered extended edition is well worth a listen. You may not even live to outgrow it. 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