bach chorale analysis

Bach 413 Chorales: Analyzed -A Study of Christ lag in Todesbanden — Five chorale settings of Martin Luther’s tune arranged by BWV. no repetitions (i.e., each syllable of the hymn text is sung one time) Around 400 of such chorale settings by Bach, mostly composed in the first four decades of the 18th century, are extant: Around half of that number are chorales which were transmitted in the context of larger vocal works such as cantatas, motets, Passions and oratorios. Bach," Journal of Music Theory, Vol. The best example is (again) the chorales, which often have similar (if not identical) melodies but are harmonized differently in order to evoke different emotions. "Suggestions for Future Research into Bach and the Chorale," Bach, Vol. "On the Recognition of Bach and ’the Bach Chorale’: Eighteenth–Century Perspectives", in Bach: Essays on His Life and Music, Harvard University Press (1994), pp.383–390. In gewissem und eingeschränktem Sinne können die Choräle auch als Studienobjekte für die „Lehrbegierigen der tonalen Funktionen der Akkorde“ gesehen werden. "Key Structure in ’Das alte Jahr vergangen ist̵," Journal of Music Theory, Vol. Timeline of Events Related to Bach Chorale Collections: a chronology of events related to the important early collections of Bach chorales, with particular focus on the Birnstiel–Breitkopf publications. Temperley, David. Among his many, more complex, musical compositions are a setting of chorale tunes, 371 of them in Bachs zusammen getragen’: Eine Handschrift Carl Friedrich Faschs in der Bibliothek der Sing–Akademie zu Berlin," Jahrbuchs des Staatlichen Instituts fur Musikforschung Preussischer Kulturbesitz. This edition of the first twenty-four chorale harmonizations by J. S. Bach accompanies the article “Improving Your Chamber Music Skills: Tips from a Pro,” an interview with Claudia Lasareff- Mironoff by Les Jacobson published in the Summer 2016 Online issue of the Journal of the Bach’s Chorales. Each of the chorales of J.S. Bach Chorales listed alphabetically as they appear in the 413 Here is a listing of each of the first 100 of the 413 Bach Chorales in this edition. 514–543. Chorale Harmonisations, BWV 1-438 (Bach, Johann Sebastian) This is general page all of the chorales. (topic(s): theory, analysis, part–writing, counterpoint) O Gott, du frommer Gott (Melody #3) — Eight chorale settings of Ahasverus Fritsch’s tune arranged by date. Platen, Emil. "The Time of the Sign: ’O Haupt voll Blut und Wunden’ in Bach’s St. Matthew Passion," The Journal of Musicology, Vol. 389 Chorale Settings Alt ernative. At bach–chorales.com you will find high quality renderings of each Bach chorale, accompanied with thorough contextual information that incorporates the most up–to–date research. Bach is given extensive treatment clearly showing the functional harmony that is implicit in his music by a thorough harmonic analysis underneath each phrase. Bach’s four-part (or four-voice) chorales are classical music’s ultimate masterpieces in harmony. Untersuchungen zu den Druckausgaben von 1765 bis 1932 und zur Frage der Authentizität," Bach–Jahrbuch, Vol. "Bach’s ’Erbe’: The Chorale in the German Oratorio of the Early Nineteenth Century," 19th Century Music, Vol. Wolff, Christoph. Bach Chorale No.3 Ach Gott und Herr BWV 255. 40–63. Listing Bach's compositions Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. Instead, it works to give the oratorio coherence, the wa… "Inventing a Melody with Harmony: Tonal Potential and Bach’s ’Das alte Jahr vergangen ist’." This report contains 31 pages. The Grove Music Online entry on "chorale," co–written by Robert L. Marshall and Robin Leaver, puts it aptly: J.S. "Suggestions for Future Research into Bach and the Chorale," Bach, Vol. Wo soll ich fliehen hin — Five chorale settings arranged by date, along with the tune’s appearance in the Neu Leipziger Gesangbuch. BWV: 65.7, 72.6, 92.9, 103.6, 111.6, 144.6, 244.25 4 (Fall 2005), pp.503–520. In the Passion, as elsewhere, Bach uses his mastery of musical forms to create powerful contrasts of mood. "Inventing the Bach Chorale," in: Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn. Freu dich sehr, o meine Seele — Seven chorale settings of Louis Bourgeois’s tune arranged by date. Chorales with Written–out Aufgesangen, Ach Gott, vom Himmel sieh darein — Three chorale settings arranged by date. 5 (December 1997), pp.9–14. Harmonic Analysis of J.S. 56, No. 42, No.2 (2011), pp. Bach’s significance for the chorale is not determined by the few original melodies he evidently contributed but rather J.S. Schulze, Hans–Joachim. Donald Francis Tovey Comparative Scores 50, No.1, Fiftieth Anniversary Issue (Spring, 2006), pp.103–110. All settings are aligned and placed in the same key for easy comparison. Bach Chorale No.3 Ach Gott und Herr BWV 255 Title Composer Bach, Johann Sebastian I-Catalogue Number I-Cat. 1 (Spring 1994), pp.43–77. Dirst, Matthew. Hill, David. Bach composed a total of over 350 chorales, which come from two sources, the C.P.E. 50, No.1 (Spring 2006), pp. Bach is given extensive treatment clearly showing the functional harmony that is implicit in his music by a thorough harmonic analysis underneath each phrase. A2 Music Bach Chorales These 20 chorale exercises (with solutions) are intended for use in preparation for EdExcel A2 tests. "Daniel Vetter and the Domestic Keyboard Chorale in Bach’s Leipzig," Early Music, Vol. Never before has it been so easy to glimpse into the musical mind of any great composer. Chorales in Bar Form (aab) – that is, with a repeated Aufgesang followed by an Abgesang, the most common type of Lutheran chorale structure. BWV: 5.7, 89.6, 136.6, 148.6, 188.6. BWV: 2.6, 77.6, 153.1 "’150 Stück von den Backfischen Erben’: zur Überlieferung der vierstimmigen Choräle Johann Sebastian Bachs," Bach–Jahrbuch, Vol. Leaver, Robin. 69 (1983), pp. 14, No. 61 (1975), pp.50–61. Articles Bach for Breitkopf). Bach Johann Sebastian Bach (1685—1750) was one of the great musical geniuses of all time. All settings are placed in the same key for easier comparison. "c") meter. Pendragon Press, 1995. "Parallel Fifths & Octaves in the Chorales", "Speculations Regarding the Original Liturgical Occasions of the Individual BWV 253–438 Chorales", "A History of the Breitkopf Collection of J. S. Bach’s Four–Part Chorales". Leaver, Robin. The tests are progressive, as follows: In Chorales 1-4, only the bass part is to be completed; students should concentrate on writing smooth, fluent and strong bass lines. 2 (April 1970), pp.198–220. 34–43. The chorale variation sets by Johann Sebastian Bach represent the culmination of a long tradition, which is itself a merger of two older traditions—the organ chorale, specifically the ornamented chorale, and the secular variation set. "’Vierstimmige Choräle, aus den Kirchen Stäken des Herrn J.S. 4 (Autumn, 1996), pp. Wolff, Christoph. Bach Collection and Bach’s approximately 200+ cantatas. Before you look at the examples of modulations on the following pages, you should read the notes below carefully. Bach Chorale No.26 Auf meinem lieben Gott BWV 188. "Modal Identity and Irregular Endings in Two Chorale Harmonizations by J.S. Meredith, Sarah. ChoraleGUIDE: harmonising Bach chorales ChoraleGUIDE.com is a web resource for learning about writing four-part harmony in the style of J.S. 81–100. Stokowski casts Bach’s contrapuntal setting as an ornamentation of Nicolai’s original chorale melody, which he regards as the work’s centerpiece; Bantock treats the chorale melody as merely a foundation upon which to build a •Bach Chorales are meant to be sung by four part harmony – SATB, originally for Lutheran churches in Germany. 121–149. —forthcoming— Burns, Lori. It has been written for A2 students at King Edward VI College in Stourbridge, and is suitable for A level (particularly Edexcel) and first year undergraduate study. 38, No. 45, No.1 (2014), pp. Princeton: Princeton University Press, 1972. Wolffrefers to Bach’scollection of 370 four-part chorales that charted the course for tonal harmony. Meter and Time Signatures in the Chorales: a listing of all chorales not in 4/4 (i.e. London: Kahn & Averill, 1999 (republished volume of two essays from 1967). -Each chorale is given it's own page for easy viewing -Plenty of space for notes and analysis -Spiral binding sits easily on any music stand Be sure to see our other fine publication: J.S. This study of the chorales of J.S. Bach Chorales 201 – 300 listed alphabetically as they appear in the 413 Here is a listing of Bach Chorales 201 – 300 as they appear in this edition. The Breitkopf collection comprised 371 chorales (often referred to as “the 371”) which were originally published in the 1870s after a drawn out process of editing involving Marpurg, Kirnberger, and, most importantly, C.P.E. "A History of the Breitkopf Collection of J. S. Bach’s Four–Part Chorales" — a thorough account by Thomas Braatz and posted at www.bach–cantatas.com. These 371 chorale harmonizations, extracted from hundreds of cantatas, passions and other sacred works, have for centuries served as models for exquisite tonal harmonic thinking. Stanley, Glenn. Included are speculations from Smend and Häfner regarding the lost St. Mark Passion and the Picander–Jahrgang as cited in the NBA commentary volumes. None [force assignment] Movements/Sections Mov'ts/Sec's 389 chorale-settings Listing of Bach's Chorale Settings First Pub 22, No. Marshall, Robert L. "How J.S. BWV: 84.5, 88.7, 93.7, 166.6, 179.6, 197.10, 434 Bach: A … Wachowski, Gerd. Jerold, Beverly. Kielian–Gilbert, Marianne. "So how many Bach chorales are there?" All settings are aligned and placed in the same key for easy comparison. A second version presents the settings in their original keys. The nature of 18th-century music however ne- cessitates that the reader not neglect the melodic content at the expense of the beauty of the harmony. Marshall, Robert L. The Compositional Process of J.S. The modern musician who may not be so familiar with music theory and harmonic analysis will still benefit from this edition of the Bach chorales as each chord is identified above the staff with modern chord symbolism. BWV: 19.7, 25.6, 30.6, 32.6, 39.7, 70.7, 194.6 Rose, Stephen. The important historical collections have their own collection pages, and only selected copies are here (371 chorales supervised by C.P.E. Contents 1 Introduction 1 1.1 Bach, son of Johann Sebastian. 39–53. All settings are placed in the same key for easy comparison. "Die vierstimmigen Choräle Johann Sebastian Bachs. Bach actually uses the melody of his best-known chorale, “O sacred head now wounded” five times in this Passion, but they are harmonized so differently that the repetition is not at all tedious. •These melodies are broken up into phrases, which are identified by pause marks – this is where you put your cadences. All settings are placed in the same key for easy comparison. Wer nur den lieben Gott lässt walten — Seven chorale settings of Georg Neumark’s tune placed in the same key for easy comparison and arranged by date. 77-101. BWV: 41.6, 171.6, 190.7, 362 Jump to: Each of the chorales of J.S. 40–63. The Great Eighteen Chorale Preludes, BWV 651–668, are a set of chorale preludes for organ prepared by Johann Sebastian Bach in Leipzig in his final decade (1740–1750), from earlier works composed in Weimar, where he was court organist., where he was court organist. The resources and research pages provide numerous databases and articles that are designed to assist musicians, theorists, historians, composers, teachers, and amateur Bach–lovers alike. (topic(s): general) BWV: 45.7, 64.4, 94.8, 128.5, 129.5, 197a.7, 398; 1125 Was mein Gott will, das gscheh allzeit — Seven chorale settings arranged by date, along with the tune’s appearance in the Neu Leipziger Gesangbuch. It is important to understand the basics of how modulations work, or you will not be able to make sense of what Bach is doing. Bach," The Choral Journal, Vol. BWV: 4.8, 158.4, 277, 278, 279 Marshall, Robert L. The Compositional Process of J.S. I have included the corresponding number of each chorale as they appear in the common Riemenschneider 371 Harmonized Chorales (R) and Kalmus 389 Chorales (K) as well as the attendant BWV number. Additional Research 69 (1983), pp. "Speculations Regarding the Original Liturgical Occasions of the Individual BWV 253–438 Chorales" — a listing of speculations regarding the liturgical occasions of individual chorales surviving from secondary sources. Journal of Music Theory, Vol. "Zur Echtheit einiger Choralsätze Bachs," Bach–Jahrbuch, Vol. Bibliography. For instance, his obituary contains a list of the instrumental compositions printed during the composer's lifetime, followed by an approximate list of his unpublished work. New York: Schirmer Books, 1989. "Johann Philipp Kirnberger and the Bach Chorale Settings," Bach, Vol. 33, No. "Images of Bach in the Perspective of Basic Research and Interpretive Scholarship," The Journal of Musicology, Vol. •Melodies should be something easy to sing with a recognisable tune. 11, No.2 (Autumn, 1987), pp. Bach’s Modal Chorales. Any lover of harmony and/or music theory will treasure this collection of the Bach chorales. I have included the corresponding number of each chorale as they appear in the common Riemenschneider 371 Harmonized Chorales (R) and Kalmus 389 Chorales (K) as well as the attendant BWV number. Join the many satisfied customers in such places as Argentina, Australia, Belgium, Brazil, Canada, China, Croatia, Dominican Republic, Estonia, Finland, France, Germany, Hong Kong, India, Ireland, Italy, Japan, Mexico, Netherlands, Puerto Rico, Portugal, Spain, Switzerland, United Kingdom, and throughout the United States who now own this unique and eye-opening edition of the Bach chorales. A note-by-note analysis of Bach’s marvelous technique is given in a way that allows the reader to instantly grasp the many subtleties found in them. 1 (February 2005), pp. No. Bach. Additional meter–related information is also provided. Each chorale is neatly arranged and presented in … Burns, Lori. Schon Carl Philipp Emanuel Bach, einer der Söhne Johann Sebastian Bachs, betonte den Nutzen der Choräle als Studienobjekte für die „Lehrbegierigen der Setzkunst“. Jesu, meine Freude (Jesus, my joy), BWV 227, is a motet in eleven movements for SSATB choir which was composed by Johann Sebastian Bach.It is named after the Lutheran hymn " Jesu, meine Freude", of which it contains, in its uneven movements, all six stanzas of Johann Franck's poetry and various versions of Johann Crüger's hymn tune. Bach Composed Four–Part Chorales," The Musical Quarterly, Vol. 51–79. — an answer to this surprisingly complicated question. 9–31. "’Wie schön leuchtet der Morgenstern’ in the Chorale Cantatas of J.S. Bach: A Study of the Autograph Scores of the Vocal Works. Harmonisation of Bach chorales KBS project report Martin Elmer J˝rgensen, arskort 951174, S˝ren Tjagvad Madsen, arskort 961701. Jesu, nun sei gepreiset — Four chorale settings along with the tune’s appearance in the Neu Leipziger Gesangbuch. Analyzing a Chorale by J.S. Vol. Boyd, Malcolm. Combining north German musical precedent 2003 (2003), pp. "Parallel Fifths & Octaves in the Chorales" — an account of the consecutive fifths and octaves appearing in the chorales and the editorial liberties taken in regard to these consecutives by early editors of Bach chorale collections. 38, No. Forty Bach Chorales It is the chorales, not his trademark fugues, that lie at the heart of Bach’stechnique. Marshall, Robert L. The Music of Johann Sebastian Bach: The Sources, the Style, the Significance. Bach Chorale Harmonization and Instrumental Counterpoint. The complexity of Bach’s harmony is made plain as each chorale is treated much like a jazz chord chart would be. Schulze, Hans–Joachim. The individual chorales BWV 253-438 have survived by way of this Breitkopf collection. Bach is intended to be limited to the harmony and harmonic vocabulary of this great master using modern chord symbols and harmonic analysis. Traditionally known as chorale preludes, the compositions in the BWV 599–771 range of the Bach-Werke-Verzeichnis, and later additions BWV 1085, 1090–1120 (Neumeister Chorales) and 1128, are also indicated as chorale settings for organ, and include multi-movement chorale partitas and sets of … Cambridge: Cambridge University Press, 2012. By understanding the way Bach 42, No.2 (2011), pp. ARTICLES FROM EXTERNAL SITES Here in one package is a rosetta stone that uncovers the countless mysteries of Bach’s masterful compositional art. Recognisable tune Stück von den Backfischen Erben ’: zur Überlieferung der Choräle... Keyboard Chorale in Bach ’ stechnique in his Music by a thorough harmonic analysis each. ’ Das alte Jahr vergangen ist ’. the Significance the chorales, not his trademark fugues that. Which come from two sources, the C.P.E '' co–written by Robert L. the Music of Sebastian... 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